So while I was going through the Great Uncertainty over the past two months — the will-they-or-won’t-they of the Skyhorse/Night Shade deal — a few folks opined that I should just grab my rights and self-publish The Daedalus Incident on my own. Some were simply being encouraging and wanted to see the book published somehow and anyhow.
But there were a few ready to raise the tricolor over the battlements and sing out in defiance of traditional publishing. Why did I even go down the traditional publishing route, bowing in subservience to the Great Capitalist Machine instead of embracing both Art and Personal Freedom by self-publishing? Surely, the Night Shade near-debacle was a warning sign of the Terror to come.
Obviously, I’m being somewhat snarky here, not to mention a bit too referential of Les Miserables. And in fact, I’m not anti-self-publishing at all. As you may see in the weeks and months ahead, I personally believe a hybrid model of traditional and self-publishing may serve myself and other authors quite well.
But I did go the traditional route for my debut, The Daedalus Incident, and I actually liked working my way through the “gatekeepers” of the publishing business. Here’s why.
Thank God that’s over. Now we can get on with the business of getting 








