Category Archives: Writing

Judge the writing, not the process

Is my writing process artistic and angsty enough? Maybe I need to drink more and outline less.

I was cruising my various social media outlets recently when I came across a sentence which gave me pause: “Outlines are the refuge of a hack.”

Umm…I outline. Heck, I use Excel.

Now, to be fair, I don’t consider myself a towering literary figure. I’d like to think that my work may have some underlying themes and ideas, but crashing an 18th century sailing ship into Mars is unlikely to be considered super-deep. (“Dude, the ship is a metaphor for colonialism, right? And Mars is totally standing in for humanity’s history of war and self-destructiveness. So that whole thing is, like, you know, how the imposition of cultural paradigms are doomed to failure, right?”)

Actually, I really hope someone writes that about The Daedalus Incident someday, because that’s not what I was thinking when I wrote it. I was thinking something along the lines of: “This is SO cool.” But I digress.

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Revisions are in! Twitter stuff! And other assorted tidbits

Like I said a few weeks ago, a good editor is pretty valuable, and I’m quite lucky to have one such editor in my corner. I turned in my edits to Ross Lockhart, managing editor of Night Shade Books, and found that the product I turned in was much improved thanks to his suggestions. That is pretty awesome. (If you follow Ross on Twitter, you’ll also find he has excellent taste in beer. I suspect this is indeed related to his editing ability.)

Speaking of 140 characters or less: Come follow me on Twitter if you haven’t already, and spread the words to your friends, relatives, acquaintances and frenemies. Once I get up to 300 followers there, I’m going to post an excerpt of The Daedalus Incident right here on the blog. And yes, it’ll be a decently-sized bit of of the book, not the few paragraphs you’ve seen thus far.

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Writing tip: Bring a gun to a knife fight

Sometimes, you just have to throw down.
(Wikimedia Commons)

Over the Thanksgiving weekend, we had occasion to drive past Philadelphia and reminisce about eating at City Tavern, a very old establishment with excellent food and a ton of Colonial ambiance. As we drove, my wife asked whether eating there resulted in anything that contributed to The Daedalus Incident.

It did, actually. I found a lot of inspiration in Philadelphia, as you can see in this blog post. And there was a point in time when The Daedalus Incident featured a scene set at dinner in City Tavern itself.

That scene was cut early on, and I’m not sorry it went. Without giving too much of the story away, here’s why.

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LIVE on Blog Talk Radio tonight!

A quick reminder: I’m on SupaFi64 tonight at 10 p.m. EST talking about The Daedalus Incident! It’s my first podcast guest spot, so come see whether I sound all cool and suave, or I choke completely under the pressure. Either way, good times!

It’ll be live-streamed on Blog Talk Radio and will also be available as a podcast on iTunes. So check it out!

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First podcast! Final revisions! Good editors!

I’m here Wednesday at 10 p.m. Come listen in!

I’m officially enmeshed in final (one hopes) revisions to The Daedalus Incident, but I’m taking time away from the wordsmithing to make my very first guest spot on a SF/F podcast. On Wednesday, I’ll be on SupaFi64 at 10 p.m. EST to talk about the book and, most likely, a wide variety of other geeky topics. You can listen to the podcast LIVE on BlogTalkRadio, or download it later from iTunes.  The SupaFi64 gang put on a great show, so come check it out.

Meanwhile, I received my editorial letter this week from Ross Lockhart, editor extraordinaire at Night Shade Books. I had previously scoffed at the wailing and gnashing of teeth I saw from other authors about this particular phenomenon. Surely, I thought, this wouldn’t be a bad thing. One’s editor was there to improve the book, and the author by extension — not to subject writers to torture. This faith was tested slightly when I read this:

…I’ve marked up a Word file of the manuscript, highlighting approximately two hundred individual points…

Oh, boy.

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Six months to go, and the to-do list grows

There’s a lot of stuff sneaking up on me these days. Like giant shark jaws.

Writing a novel was a great personal accomplishment. Getting an agent, and an awesome one at that, was even better. Landing an offer from a well-respected publisher — on my 40th birthday, no less — was freakin’ incredible.

Now, with less than six months to go before The Daedalus Incident is released into the wild, I have to say…there’s a lot more to do.

Of course, you’ve seen the blog updated regularly with details on the cover and pre-orders. (There’s more sites up and running with pre-order pages, including those in Canada and the U.K., so find your favorite here.) But there’s also a lot going on behind the scenes. The machine is gearing up, and I’m going to be a big part of that.

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Pre-order The Daedalus Incident today!

OK…now this is getting real.

The Daedalus Incident is now available for pre-order on Amazon.com and Barnes & Noble! That’s right, the book is now a Real Thing that you can purchase today. I mean, it won’t be delivered until May 7, but you can purchase it today. Be an early adopter! Tell all your friends that, yes, you were among the first. When everyone starts talking up this crazy book they heard about, the one where a sailing ship crashes into Mars, you can nonchalantly lean back and say, “Yeah, I pre-ordered it.” You are instantly cool.

I’ll be updating the blog with other vendors offering The Daedalus Incident for pre-order as I hear about them, and I also expect that the book will be available in a variety of e-book formats and, yes, audiobook as well. I would also urge you to ask about The Daedalus Incident at your local independent bookseller. Let’s keep those indie bookstores going!

Of course, all this means that we now have a final cover. Here’s a nice big version of it:

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A short story isn’t an easy one

Harry’s Bar, where New York SF/F writers go to get geeky, apparently.

Nestled in Harry’s Bar in the storied Helmsley Park Lane Hotel, a 21st century version of the Algonquin Round Table took place Friday afternoon. Except for the fact that it was far more geeky than the original.

A number of my fellow genre writers descended on New York this past weekend for New York Comic Con, and a few of us met at Harry’s to celebrate our recent successes. We shared a common love of science fiction and fantasy, an inordinate ability to dissect writing processes at length, and a single literary agent — the inestimable Sara Megibow — who found each of our works a creative and commercial publishing home.

Our little bubbly-fueled chat-fest included fellow scribes Mike Underwood, Steve Vera and all the way from Europe, Stefan Bachmann, among other convivial souls. We all agreed that The Phantom Menace was unworthy, that the covers of our forthcoming books were all quite exciting — and that writing short stories is a lot harder than it seems.

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The many faces of Sherlock Holmes

The hat and pipe don’t make the man.

Will the real Mr. Sherlock Holmes please stand up? You know, the one with the deerstalker hat and the pipe?

Actually, while the hat has become iconic, it’s actually a later addition to the Holmes canon. Sir Arthur Conan Doyle made Holmes a pipe smoker, an eccentric, a recreational drug user and an occasional lout, but the hat and the cloak-cape-thing were practically all Hollywood. Indeed, throughout the history of the character, he has changed and adapted with the times. And for anyone who’s writing fiction based on already established characters — historical or fictional — a look at Holmes can be instructive. It also helps that I’m something of a Holmes aficionado. So settle in for this post, dear reader.

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Why first drafts are allowed to suck

It’s OK. It doesn’t have to be perfect right now.

Not exactly rockin’ it out on a Saturday night, but that’s fine. It’s raining, it’s getting colder. I just put down another thousand-plus words on the sequel to The Daedalus Incident that, admittedly, weren’t great words. However, I’m OK with that because, in writing those words, I hit on some ideas and themes that just snapped into place brilliantly.

As you likely discerned from the title, first drafts are indeed allowed to suck. That’s because the book, as a total entity, doesn’t exist yet. There’s no real basis for comparison, because that particular story hasn’t been written until the first draft is done. How do you measure the worth of something before it’s even finished?

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