Category Archives: Geek

Pilgrimage: The Last Bookstore in Los Angeles

I’ve been in my current day job now for nearly nine years. In addition to the gig’s intellectual challenges, sturdy rewards and lovely people, it’s allowed me to visit Los Angeles at least…heck, 25 times or so? See, the New York office is actually the satellite, while the mothership is in the City of Angels. Hence the travel and the sturdy flow of frequent flier miles.

So here I am yet again, this time for a week and a half. My wife is with me (the child being at camp) and there are plans afoot. L.A. is a great city for warmth, sun, beaches and sightseeing. (The less said about traffic and smog, the better.) The food scene here is phenomenal — super creative, far less pretentious than New York, and surprisingly affordable. There are many fine craft breweries.

And there’s The Last Bookstore. I’m ashamed to say that I hadn’t visited until today. This has been belatedly but duly rectified; it’s one of the coolest independent bookstores I’ve ever seen. Want proof? Here you go.

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First off, it’s huge. The building used to be an old bank, so they have a couple of vaults and lots of smaller rooms in addition to this cavernous affair. The stage is perfect for readings and panels, and there are a few chairs around — though, to be fair, they don’t like folks loitering all day. They’re right in downtown L.A., so I get that.

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Book sculptures! Paper art! The second floor in particular is a warren of very cool little nooks and crannies and oddities like the ones above.

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And this bad boy towers above all of it. Someone put a lot of love into this store. There’s a massive collection of vintage, used and new books across every genre imaginable. You want self-help? YA? Biography? Classics? SF/F? Lit fic? It’s all there. Well, mostly all there. I suppose I could get nitpicky about authors of more recent vintage — they have the big names in most categories, but less so midlisters. But their used book selection more than makes up for it. I saw dozens of novels I read when I was a kid. It was a total memory lane thing.

So. The Last Bookstore is in downtown Los Angeles on 5th and Spring. It’s worth braving the city’s notorious traffic to spend an hour in book-lover bliss. I’m glad I went, and you should go too.

 

 

In other news, I’m happy to report that, as per usual, I crunched on a whole heap of words on my flight over here, and that the second MAJESTIC-12 book is coming along swimmingly. There was one particular historical event that really spurred the entire concept behind the book, and today was the day where I got to write my version of it. It’s one of those “you can’t make this stuff up” events, and I hope I did it justice.

All right. I’m off to find a good taco and a beer. Viva Los Angeles.

#SFWApro

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Celebrating Gary Gygax’s birthday with the wayback machine

PlayersHandbook8CoverI very clearly remember the day I got to speak to Gary Gygax.

It was the summer of 2000, and I was a business reporter for The Associated Press in Seattle. My primary coverage areas were Microsoft, Amazon and Boeing (with Starbucks and RealNetworks in there as well), and I was waiting for a press conference to start on the Microsoft campus.

Phone rings: It’s Gary. I had reached out to him as part of a story I was doing on Wizards of the Coast’s new d20 “open-source” gaming initiative — you can read it here. The story was a bit of a passion project for me, and I took a lot of pleasure in visiting Wizards’ headquarters and talking with the team behind 3rd Edition Dungeons & Dragons. And of course, in the interest of balance, I felt compelled to reach out to folks at Steve Jackson Games, White Wolf…and the man who created it all.

Just then, a Microsoft P.R. person tried to herd me into the auditorium. “Mike, we’re starting in five minutes.”

I put my hand over my cell phone receiver. “One second. I got Gary Gygax on the line.”

The guy stopped and smiled. “That’s cool!”

Yes. Yes, it is very, very cool. 

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And now SF Signal’s watch is ended

I had been a published author for a grand total of three weeks when I attended my first con — WorldCon in San Antonio in 2013. And for the better part of two days, I carried with me a Ziploc baggie with bagels in it.

Why? Because John DeNardo, who runs SF Signal, is well-known for his love of toroidal bread products, and any other bagel west of New Jersey pales in comparison to the real thing. It seemed only fitting that I would help him rediscover the joys of the One True Bagel, especially given the support SF Signal had given my burgeoning authorial career.

See, it’s hard out there for a debut author — and it was a particularly interesting debut for me. Night Shade Books nearly folded before The Daedalus Incident came out, and then was sold to Skyhorse Publishing. The book was delayed about three months, though I will say that going from just-another-debut at a struggling publisher to the lead title of a new imprint ultimately was a step up.

Throughout all that, SF Signal was stalwart in its support. Paul Weimer’s review of Daedalus was one of the very first out there, and his positive take made me think that, yes, this whole novelist thing could work. And pretty much any time I asked for something, John was not just agreeable, he was enthusiastic. Guest posts, interviews, cover reveals and enough mind melds to crowd out the voices already in my head…SF Signal was awesome.

Hence the bagels. It was my little way of saying thanks.

All this”was” feels positively funereal, but alas, SF Signal is heading off into the digital sunset. You can read John’s farewell here, which naturally references The Lord of the Rings and the last episode of Star Trek: The Next Generation in the first 50 words (and The Hitchhiker’s Guide to the Galaxy in the teaser text). I completely understand the reasoning here — running a site the size and scope of SF Signal had to be a massive undertaking, and things like jobs and families are important.

So let’s not make it so dour. The site had an incredible run, picked up a bunch of Hugos, helped hundreds of authors introduce their work to thousands of fans, and kept the focus squarely on the books and the geek stuff, all with humor and good grace. I’m not only appreciative of the boost SF Signal gave my work, but of everything it did to keep fans informed and entertained for more than 12 years.

My thanks to all the contributors — Paul Weimer, Rob Bedford, Patrick Hester, John Anealio, Regan Wolfrom, and so many others. Even if I never worked with you, I always enjoyed reading your stuff. I hope all the contributors continue to write and produce thoughtful reviews and essays for many years to come.

And to John, the very heart and soul of the site, thank you for giving me bits of your digital real estate. Thanks for letting me reach out to your readers. Thanks for the reviews and all the support. And finally, thanks for putting together a site I read and loved not only as an author, but as a fan.

Next time I see you, whenever that is, I’ll bring you more bagels.

#SFWApro

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Lock and Load: Favorite SF/F weapons on SF Signal

I love SF Signal’s mind melds, and I’m quite excited to be a part of their latest: “Our Favorite Weapons in Science Fiction and Fantasy.” There’s a lot of great authors with a lot of interesting perspectives — worth a read.

As for my bit, I feel like I’ve betrayed the spirit of Star Wars Day (May the Fourth Be With You!) by not going with a lightsaber. To be fair, it was the first thing that came to mind, because lightsabers are intensely awesome, but some reflection brought me to what I think is a far more interesting choice.

And if you know the image I’ve posted here on the blog, you know what I decided on. Check out the mind meld for more!

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My favorite character development hack, courtesy of a role-playing game

Back in college, I was a big fan of White Wolf’s role-playing games. I still think Vampire: The Masquerade was absolutely groundbreaking in terms of playing the monster rather than the hero. Until that point, horror games were about what happened to normal people facing the supernatural — think Call of Cthulhu and Chill. Then White Wolf came along and upended things.

A beast you were, lest a beast you became. Heady stuff.

Yes, it was all very early 90s, very Goth, very pretentious. But our games were interesting, fueled by a referee with a devious and chilling imagination. I learned a lot about character and story from both the game books and my friend Drew’s chronicles.  So much so that, years later when I began writing The Daedalus Incident, I found myself leaning on a particular mechanic used in the classic World of Darkness books to bring my characters to life.

Now, I’m sure I’m not the first author who leaned on RPG mechanics to help flesh out characters — I know of a few who went and did entire character sheets for each of their main characters. I didn’t go that far, but I did rely on White Wolf’s personality archetypes to bring my characters to life. They’re quick and easy to use, but when you start looking into the result, you can get a real complexity of character as you think things through.

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Crouching Tiger, Hide This Sequel: Why do some sequels work and others…don’t?

Crouching Tiger, Hidden Dragon is a masterpiece, and I will brook no argument to the contrary. It’s a film that manages to be many things at once: A heart-wrenching romance, a character study, a contemplation of a certain time and place, and an epic, kick-ass Wuxia film. The acting is superb, the directing brilliant, the writing spot-on, the cinematography dynamic and lush, and don’t even get me started on the music.

So when Netflix said they were doing a sequel — the epically titled Crouching Tiger, Hidden Dragon: Sword of Destiny (seriously, a comma and a colon) —  I was excited. I didn’t even think to be super nervous about the quality of it. Sure, Ang Lee wasn’t directing and Chow Yun Fat would obviously not be returning, but still. You take a title like Crouching Tiger and you’re taking on some responsibility, man. There are expectations. Of course it would be done well.

It’s amazing, the naivety I still have despite 43 years in the world.  Continue reading

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For your consideration: Awesome editors!

There’s much ado of late about Hugo Awards and other such things, and while it’d certainly be lovely to have a bit of shine on my mantle — though I would need to purchase a mantle to hold it — I’d rather take this opportunity to talk about some very well deserving individuals for your consideration in the editorial categories.

Yes, these are editors I’ve worked with. Each one of them has contributed both to the quality of my work as well as my ever-ongoing education as a writer. They are also lovely humans, which goes a very long way with me.

Editor, Short Form

I had the distinct pleasure of working with three different editors this year on my short fiction, and I find each one of them deserving of whatever laurels can be bestowed upon them.

Alex Shvartsman, UFO Publishing: I worked with Alex on “Confessions of an Interplanetary Art Fraud” for Unidentified Funny Objects 4. The story was accepted but certainly needed work, and Alex really helped me kick it up a notch or six. He’s a great editor who gets humor, which is a lot harder to write than it may seem.

Ross Lockhart, Word Horde: I remember thinking about submitting to Ross’ Tales of Jack the Ripper a few years ago, but found it hard to “go there” in terms of horror. Cthulhu Fhtagn! was much more up my alley, and my “On a Kansas Plain” was included in the anthology in August. Ross’ anthologies are always among the best in the genre. Give them a read.

Chris Carey, Paizo: “Crisis of Faith” was a bucket-list win for me, having grown up with D&D and owing so much to the multi-sided dice. Chris really helped me capture the nuances of Pathfinder and made the story so much fun to read in the end. I would write about clerics of beer gods any day if Chris was editing.

Editor, Long Form

Cory Allyn, Night Shade Books: This post was actually inspired by a conversation I had yesterday with Cory on MJ-12: Inception. We’ve done three novels together now, and Cory has made each of them far better than they were when I handed them in. He has a great way of pulling me out of the weeds and helping me see the story landscape from on high. Ideas and improvements just flow right out of me when we’re working on stuff. He edited The Venusian Gambit last year, and not only did a great job of it, but was incredibly supportive and encouraging at a time when I really needed it. Plus, he and Jason Katzman have really done a bang-up job reviving Night Shade. Just a great person to work with.

Ross Lockhart, Word Horde: No, I didn’t do a novel with Ross this year, though he was my editor for The Daedalus Incident and taught me so much in the short time we worked together. I’m including him because of his work with Molly Tanzer’s Vermilion, an excellent novel that, like The Daedalus Incident in 2013, was a SF/F Debut of the Month at Library Journal when it came out this year. Word Horde keeps putting out great books under Ross’ leadership and editorial purview. He’s one of the best editors out there, small-press or large.

So there you go. I would encourage you to check out all their books — not just the ones with me in ’em — and give them some consideration for a shiny rocket ship. If they don’t have mantles, we’ll do a Kickstarter or something.

#SFWApro

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A spoiler-free take on The Force Awakens

You know, as I sit here and try to gather my thoughts, I’m really taken by just how difficult it is to not attach spoilers to any review or mention of Star Wars: The Force Awakens. There was a lot that happened in that film, man, most of it really cool and intriguing.

But since it’s likely many of you haven’t seen the movie yet, I’ll behave myself here and simply talk about what worked for me and what didn’t, as best I can without giving anything away.

First off, let’s get one thing out of the way: The Force Awakens is very much a Star Wars movie, in all the ways you’d hope for. It’s a completely fun ride and well worth your hard-earned cash. I had a blast. My 11-year-old daughter had a blast. It’s a great adventure with action, heart and humor.

It’s Star Wars, in all the ways it should be (and many of the ways the prequels missed completely).

So let’s break it down, author-style, by the elements of story: Setting, character and plot.  Continue reading

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Star Wars wayback machine: Return of the Jedi

We’re just a few days away, people. The Force Awakens arrives Thursday night, and I’ll be writing up something on Friday. Just in time for the big event: The wayback machine review/recap/whatever of Return of the Jedi.

Coming on the heels of The Empire Strikes BackJedi suffers from the comparison. We see glimmers of Star Wars‘ future — dry dialogue, shoehorned cuteness — and it’s certainly the weakest of the original trilogy.

But you know what? It’s really not that bad. Sure, you have to put some things aside as you watch, but the things that make Star Wars great are present here, unlike some of the prequel movies. It’s unmistakably Star Wars.

Let’s dive in.  Continue reading

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Star Wars wayback machine: The Empire Strikes Back

The rewatch of the Star Wars saga — done during my morning elliptical workout — is almost over, and I admit, it’s made the half-hour exercise routine go pretty fast. I’ve enjoyed revisiting these movies, and it’s geared me up nicely for next Thursday’s showing of Star Wars: The Force Awakens. 

In this rewatch, we have the crown jewel of the entire saga: The Empire Strikes Back. Pretty much everything we love about Star Wars is front-and-center here, and this one stands up to the test of time as well as any classic film you can think of. Yes, it’s as good as I remembered.

That said, a few bits stood out as being a touch dated or clunky — but others really seemed to shine even brighter than I realized. Let’s break it down.  Continue reading

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