Monthly Archives: June 2016

The calm before the storm

MJ12_FinalIt’s been quiet here on the blog because, well, there hasn’t been too much to report, really. But that doesn’t mean I haven’t been busy — quite the contrary. You just haven’t seen the results yet.

MJ-12: Inception comes out in just over two months. (Have you pre-ordered it yet? It totally helps when you do. Check out Amazon, Barnes & Noble, Books-A-Million, Mysterious Galaxy,Borderlands Books, and Indie Bound.) So when I’m not day-jobbing, spending time with the family and writing the next MJ-12 book, I’m laying some serious groundwork for September.

What’s that entail? Well, we have some blurbs from fellow scribes that are pretty amazing and humbling and just wow, for starters. It’s always a little awkward to ask folks for a blurb, but always gratifying when they send you something lovely and thoughtful. So I’ve been gathering those. Also got some sneak-peeks at reviews, too, which are likewise gratifying. More on those soon.

Then there’s guest posts, interviews and podcasts and all that good stuff. Already have some stuff lined up in that regard, including a magazine piece that I’m pretty excited about. (Magazine as in newsstand, national circulation magazine, which is pretty sweet.) Lining that up takes some doing. I’m trying to schedule everything neatly so that A) I’m writing and/or saying something compelling, and B) I don’t unduly repeat myself.

Then there’s DragonCon! Yes, I’ll be attending again, because it’s just plain fun. But it’s also the weekend before launch, so we’re trying to pull out the stops and do some fun things. We’re working to have MJ-12: Inception available to the booksellers in the vendor hall so folks at the con can buy it before the Sept. 6 release date. I’ve been working with Doctor Q, the Alternate History track director, to come up with some nifty panel ideas, too. And there will be giveways and swag. It will be majestic. 

And finally, I’ve lined up a pretty nice launch night event. Since the venue hasn’t announced it yet, I’m holding my powder. But I’m pretty excited about it.

So yeah, that’s kind of what’s been going on. This is my fourth (oh wow fourth) release, and some of this has become standard operating procedure. But this is a new series, too, so we’re working really hard to make it something special. It’s kind of like making a first impression all over again. Fingers crossed!

Oh, and it’s most certainly worth mentioning that The Venusian Gambit lands next week in mass-market paperback, with a whole new MJ-12: Inception excerpt inside. And there’s a couple of short story announcements waiting in the wings too.

Wish I could say more; there’s some stuff coming that I can’t wait to tell you about. Soon!

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New short story: “See me”

There are days, more frequent lately, where I fear for the world. I’m worried about our inability to listen, to compromise, to accept others for who they are. Fear and anger lead to actions that go against our best values, our highest aspirations for ourselves. We are not the people we should be sometimes.

I could write a political rant about Brexit or Trump or whatever, but that’s really not my thing. So instead, I wrote this. In fact, I wrote it on my phone on the bus this morning and cleaned it up before I settled into my day’s work. It’s probably pretty rough; maybe it’s good, maybe not. But it reflects how I’m feeling about the future these days. I really hope I’m wrong, and I’m going to do everything I can to try to stop it from happening.

“See me”

See me, I plead silently as I walk, head bowed, down the streets that I can only borrow, where I cannot linger for fear of infraction.

But they won’t. The people who walk past, uniformly clean and glittering, their eyes swathed in augmented realities, they never see me. They don’t want to. They don’t have to.

This isn’t the future my grandparents signed up for. There are no flying cars. There are no robots doing all the hard work. There’s just me, and nobody sees me. The walls are too high.

There was the first wall. They said it would be big and beautiful, but it is ugly and cold and a death sentence for those who test it. They said it would keep us safe, stop bad people from coming into the country, restore our jobs and dignity. It didn’t.

So they built more walls.

At first they were physical. There were walls around housing developments and manicured lawns, guarded by well-paid men with guns. There were walls around schools and parks and playgrounds, ringed in protection for fear of gunmen and terrorists and criminals that the rich refused to legislate against for the common good. The walls were cheaper.

Other walls grew stronger and stronger. The walls around universities, made of tuition, climbed to the sky and promised only crushing debt. The walls around warehouses and factories, made of chain link and low wages, were designed to keep people like my parents there and working double shifts just to put food on the table. They talked of upward mobility and opportunity, but the walls around opportunity rose higher.

Then new walls were created, made of checkpoints and scanners and buttressed by the rights of free association and free speech. Rights morphed from freedoms to exclusions before anyone really noticed. Free association became the right to “be with your own kind” or live in “communities of shared values.” Free speech became denunciations and echo chambers that reverberated through lives and freedoms without cause or care.

The enclaves grew, common ground shrunk. As I walk to the drugstore where I work – 12 hours a day, six days a week, agreeing to “overtime” only because I could not eat without it – I must take a roundabout path. I ride a rickety subway, not the monorails in the sky. On the surface streets, my paths are determined by the enclaves where my metrics do not allow me to venture.

If I am lost in my thoughts and make a wrong turn, if I cross a checkpoint scanner into an enclave, the advertising screens on the street turn red. DO NOT APPROACH. INFRACTION PENDING. If I venture further, the private security guards are free to detain me, and the infractions whittle away what metrics I have to my name. I become less qualified to work and less free for infringing on someone’s right not to see me.

See me! my mind screams silently. They walk past.

It wasn’t always like this, even after the first walls were built and the borders “secured” against the nebulous others we were so afraid of. There were chances, even then. But they were squandered on posturing and face-offs and the inflow of money from the wealthy who feared sharing their table scraps. The Internet allowed us to look inward, to find like-minded people who agreed with whatever opinions we had. We didn’t need to come together, to compromise. We were all correct, in our bubbles. And those who could afford the strongest bubbles won.

Then the heads-up displays were introduced, replacing the smartphone in ubiquity. First in glasses, then in contact lenses. With a glance, we could see so much more about who we encountered, we could take their measure in numbers and metrics. And we could filter away those who weren’t like us – filtering humanity by race, religion, education, credit score.

We didn’t have to see those we didn’t want to see, live next to anyone we didn’t want to be there.

Meanwhile, the waves lap at the seawalls protecting our cities – more walls, more walls – because climate change was filtered out of our realities as well.

Slowly, inexorably, the very laws changed. The blessings of liberty, enshrined in the Constitution, were focused on “ourselves and our posterity,” excluding many – even those who were educated, paid taxes, whose citizenry went back a hundred years or more. Even the Declaration of Independence, wherein “all men are created equal” and “life, liberty and the pursuit of happiness” are promised to all, was relegated to a footnote in the textbooks, where evolution and scientific inquiry were likewise banished.

I am a third-generation American. I’m not religious anymore, because my family lost faith when my grandfather’s land of opportunity barred us from attending services. Not because the house of worship was closed – oh, no, that would’ve been unconstitutional. But because so many streets and neighborhoods were closed to us, it took two hours to get there. And the freedom of expression of others meant we had to walk past angry men with guns who were just waiting for the infraction they needed to have us arrested or, worse, to allow them to Stand Their Ground.

I don’t think God sees us anymore. Certainly, other people don’t. I am only the red warning sign in their graphical overlay, othered into a series of metrics and numbers in an augmented reality that ignores my own. And those of us who can actually get a second-hand, black market display can see just how inaccessible other people can be.

DO NOT APPROACH. INFRACTION PENDING.

This is the future. We share the same air and an ever-shrinking common ground. We build walls of brick and money and technology and “rights” and fear. Those who have enough of those things see only what they want to see, go only to the nice places, spend only what they absolutely must to get the things from the drugstore, where my interactions with them are carefully scripted and largely silent. They do not want to see me, and so they don’t. They don’t need to.

Will no one look past the walls? Will no one see me?

I’m here. I’m right here. See me.

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MJ-12: Inception on PW’s list of Fall 2016 titles; e-book pre-orders now available!

MJ12_FinalSo here’s a nifty little news item: MJ-12: Inception is on Publishers Weekly‘s list of Fall 2016 announcements for science fiction, fantasy and horror. There are, of course, hundreds of titles slated to be released this fall, but this particular list is pretty much just the lead titles and notables for each publishing house.

Needless to say, I’m quite happy to be there.

Also, it turns out that Night Shade Books is announcing a first printing of 20,000 copies which…whoa, boy, that’s a lot of copies. Honestly, it’s daunting as all get out, because that’s a whole lot of books with my name on them. But apparently, it also means that they’ve been doing a great job of wrangling initial orders from booksellers, too. So it’s also encouraging.

We’re lining up a lot of cool stuff for the weeks running up to the book’s Sept. 6 launch. There will be giveaways. I’ll be doing a number of cool things at DragonCon. There will be a launch-night reading somewhere completely awesome. And I know the good folks at Night Shade are working their tails off to line up even more. You can’t stop the signal.

If you’re so inclined, pre-orders are an excellent way to help boost the signal. If you’re likely to buy the book anyway — or just curious enough to part with a few bucks — I’d wholeheartedly encourage you to pre-order MJ-12: Inception from Amazon, Barnes & Noble, Books-A-Million, Mysterious Galaxy, Borderlands Books, and/or through your local bookstore via Indie Bound. You can also just ask; booksellers are awesome like that.

You can also preorder your Kindle, Nook and Apple iBook editions, too. As with most pre-orders, you can expect the prices to come down a bit as we get closer to launch, so don’t let the early sticker-shock stop you. Amazon, B&N and others will adjust your tab accordingly.

So why are pre-orders important? The more folks who chime in now with orders, the more booksellers are likely to stock up as the launch gets closer. And all those pre-orders count toward first-week sales, which further prompts booksellers to adjust inventories and promote the book more. (And yes, pre-orders also count toward the first-week sales used to calculate the bestseller lists, but…baby steps, man. That’s some cart-before-horse stuff right there.)

Long story short, if you like my books and/or want to check out MJ-12: Inception, then your pre-orders are greatly appreciated.

Finally, here’s another fun little tidbit. I was on a panel at Phoenix Comicon called “Trope Talk: Comedic Relief” with Scott Sigler and Yvonne Navarro — and thanks to Scott and his handy digital recorder, you can now listen in. Here’s the link. It’s like being there, but without the 117-degree temps outside. (And, sadly, without getting to see Scott’s dead-on impression of a dinosaur in the bar that evening. Alas.)  I’m slightly chagrined at all the “umm”s I have in there, but hopefully it’s not too egregious. Enjoy!

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Yes, I actually read the reviews

TDI-mmpb-coverWhile on a panel with other authors at Phoenix Comicon, an audience member asked us whether we read the reviews of our works. At least half of the authors there said no. And I totally get that — kindness and constructive criticism is in short supply on the Internet. It can be hard to read how all your hard work resulted in someone despising the book.

I piped up and said yes, I do read reviews. I don’t really seek them out, but when they’re brought to my attention via Twitter or Google alerts, I’ll give ’em a read. I’ll also occasionally look at what folks are saying when I link to Goodreads or Amazon.

Am I a glutton for punishment? Maybe. But then, I’ve been writing professionally for 23 years now, in one form or another. I used to be a journalist, and I’ve been taken to task not only by editors, but by the people I wrote about. I’ve had to defend my work repeatedly. It tends to give one a thick skin.

Yes, I’ve received negative reviews. I’ve had my ability to form coherent sentences called into question. I’ve been accused of crimes against the English language. There have been a few folks who considered the publication of my fiction yet another indication of the death knell of my publisher, or even the entire publishing industry. There have been screeds.

And you know what? All right then. I hope the screed made the reviewer feel better. Catharsis is good.

I’m really, really fortunate that my works have been generally well received — 4 stars or better on Amazon, at least 3.5 or better on Goodreads, with 4- and 5-star ratings well outnumbering the 1- and 2-star reviews. I got a couple starred reviews from major publishing sites. At this point, I’m reasonably confident that I can write enjoyable fiction.

That said, I certainly notice common threads in reviews, and there have been some dings that I’ve no doubt earned. And that’s actually helpful — that’s something I can take away and learn from, and I have. That could be one of the reasons that The Venusian Gambit was the best reviewed book in the Daedalus trilogy, and that early word on MJ-12: Inception has been really positive. I want to get better as a writer, and feedback helps.

I would never fault a fellow scribe for avoiding reviews. Folks aren’t kind sometimes, and having one’s parentage or even existence called into question ain’t a walk in the park. And some of those reviews are by no means reasonable or warranted — fellow beard-o Chuck Wendig was heartily thrashed in some quarters for Star Wars: Aftermath because folks were furious that the old Expanded Universe novels were consigned to non-canon status. It’s not like Chuck forced Disney to do that, y’all. (I shudder to think of what he would actually do with that kind of power.)

He was also ripped into for introducing a gay character into Star Wars, which the worst sort of mean-spirited, specious criticism. It’s 2016, people. Honestly, it’s about time we saw LGBTQ+ folks represented in popular fiction, and I’m proud to call the guy who brought the rainbow to a Galaxy Far Far Away a friend.

Anyway, I digress. I read the reviews, good or bad. The good ones are a nice little ego boost, and give me a nice hit of writer fuel to tackle the next book. The bad ones? Eh. I’ve had Steve Ballmer, the former CEO of Microsoft, rant at me over something or other — and he was six inches from my face. And he was eating at the time. If I could stand my ground then — and I did — I’m pretty OK with someone not liking my books.

And speaking of reviews: I saw a couple that were pretty nifty keen. Rob Bedford reviewed The Enceladus Crisis over at SFFWorld and had some really nice things to say about it. And a fine person named Magilla Gurilla (how awesome is that nom du plume?) over at The Veteran Gamer “absolutely recommended” The Daedalus Incident. Glad you folks liked the books. And I’m glad I read your reviews!

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The Venusian Gambit coming in paperback next month; The Gravity of the Affair still free to download!

It’s past time to bug you good people about the upcoming mass-market paperback release of The Venusian Gambit, which is due to hit stores July 11. (I thought it was July 5, but Amazon says otherwise. So.)

I admit, Gambit was my favorite of the three Daedalus books to write. By the time I started in on Gambit in 2014, I knew the characters and the worlds very well, and I very much enjoyed seeing this saga come to a rousing conclusion. I got to end this story exactly how I wanted to, with lots of great pulpy goodness and interdimensional hijinks.

And to my great delight, Publishers Weekly felt the same way, giving the book a starred review. I’m still kind of stunned by that. It’s pretty nifty for a book that has mech-suited astronauts fighting side by side with Venusian aliens and 19th century Englishmen against French zombies created with alchemy.

If that last sentence didn’t convince you to pick it up next month, I should also point out that the new paperback edition has an all-new, exclusive excerpt of MJ-12: Inception tucked in the back. This bit introduces you to Maggie, a troubled young woman who’s manifested a very powerful ability — one that bring people to their knees with a thought.

July 11, you guys. The mass-market paperback is already up for pre-order at Amazon, and I’ll be mentioning other sites as they become available. And yes, I expect Amazon will reduce the Kindle price as well once the paperback is released.

gravitycover-hiresI also want to point out that my e-novella, The Gravity of the Affair, remains free to download at Amazon, Kobo, iTunes, Google Play and elsewhere. (Barnes & Noble has it at 99 cents, for obscure and strange business reasons; don’t blame me.) I wrote it back in 2013 as a kind of introduction to the world of the Daedalus trilogy, but it remains a complete, stand-alone story. So if you’re curious about this whole sailing-ships-in-space thing, or just haven’t read it yet, it doesn’t get much better than free!

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Interrogate your worldbuilding

roomSounds kinda cool, doesn’t it?

SCENE: The precinct downtown. A gray room with bare walls, a metal table, two uncomfortable chairs, a single bulb dangling from the ceiling. A detective paces the room in a suit stained with coffee and despair. He suddenly wheels on your worldbuilding and slams his hands on the table. “TALK! Or it’s the chair for you!”

Actually, I’d read the heck out of that. *makes note to self*

Sadly, this isn’t what I mean by “interrogate your worldbuilding.” I was on a couple of worldbuilding panels last weekend at Phoenix Comicon, and I briefly touched on this concept. So I want to sit down and work through it a bit better.

No interrogation room, though. Go sit on the couch and grab some tea or wine or something. This should be mostly painless. Ready? Let’s go. (Warning: There are mild spoilers ahead for MJ-12: Inception.)

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Beer O’Clock: Southwestern adventures

When I think about craft beer meccas, I tend to focus on California, the Pacific Northwest, Colorado and parts of New England. That said, there’s a ton of great beer being made all over the country. New York State has great breweries like Brooklyn and Ommegang. Sweetwater down in Georgia does fine brews. I recently had The Temptress, an imperial stout from Lakewood Brewing Co. in Texas, and it’s one of the best stouts I’ve ever had.

So whenever I land in a different city, I do my best to explore what the locals are drinking. And Phoenix — home to one of my favorite conventions — is where I can get one of the most interesting and refreshing beers I’ve ever had, the Papago Orange Blossom.

Papago Brewing is right in Scottsdale, and Orange Blossom is one of their flagship brews. It’s a wheat ale flavored with vanilla and mandarin orange, and while purists might decry this as heretical, this sucker works. The brewer describes it as something like “a liquid old-fashioned creamsicle,” but that sounds gross, and Orange Blossom is the opposite of gross.

Instead, you get a very drinkable beer — think of it as a pilsner without that hoppy bite and less carbonation — with a mellow vanilla taste and just a hint of orange. Not enough to make it tart or overly sweet, but enough so that it works well with everything else. Really refreshing as a starter beer, and doesn’t clash with food, either. In fact, it complimented spicy tacos quite well.

So now, basically, I can’t go to Phoenix without having at least one Papago Orange Blossom. Worth seeking out.

The other Arizona brews I had were pretty good, too. SanTan’s LimeLeaf is billed as a cream ale, but really it’s just a drinkable ale spiked with a hint of lime — not a Lime-A-Rita or anything, and far better than, say, a Cornoa with a lime wedge in it. Great on a hot day. The Arizona Trail Ale from THAT Brewing Co. and the 8th Street Pale Ale from Four Peaks were both perfectly fine pale ales — hoppy, but not as much as an IPA. Nice middle ground, very drinkable.

I thought the Red Ale from Lumberyard Brewing was good, but there are more interesting reds out there. And the Grooving With A Pict from North Mountain was really lacking in the peaty flavor you’d expect in a Scottish ale, though it was still a pretty good beer. Finally, the Scottsdale Blonde is not strictly a blonde ale; it’s a kolsch, but a decent one.

So my beer-ventures in Arizona were, overall, pretty great. Plus, the wonderful Beth Cato gifted me with a couple more brews to take home — keep an eye on my Untappd feed for those!

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The post-Phoenix Comicon post

Short version: That was incredibly super fun. Will repeat.

But hey, I think we can do better, right?

Phoenix Comicon has one of the best author/books tracks of any major convention I’ve been to. So what makes it the best, you ask? For one, there are a ton of great authors writing a dizzying array of diverse works. Two, the topics of the panels are usually pretty interesting and thought-provoking. Third, the con puts our books on sale right next door to the panels, and the marketer in me loves that impulse-buy opportunity.

But mostly, it’s the fans. The folks in the audience at all of my panels were super-smart and incredibly engaged. Their questions were thoughtful and really kept us all on our toes. The resulting conversations were informative to me, and I hope they were to everyone who came.

The fans are the biggest reason I go, and y’all are really generous with your time and encouragement of my work, and I try to do the same with whatever you got going on, too. For the first time, I had someone in the audience at a panel actually reference parts of my books as an example that I didn’t even think of — and I didn’t even know who he was, let alone did I bribe him. So that was lovely.

And now some more highlights in now particular order!

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Last chance to bid on a signed MJ-12: Inception ARC to benefit Con or Bust

MJ12_FinalTime is running out! You have until 4 p.m. EDT on Sunday to bid on a signed advance reader copy of MJ-12: Inception. The auction is to benefit Con or Bust, which helps persons of color attend SF/F conventions if they can’t afford to go otherwise.

Like great books? Like helping others? Like having more diversity in fandom? Then check out the auctions. There’s a lot of great stuff up for bid, and it’s for a great cause. Get cool stuff and help others!

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It’s time for Phoenix Comicon! Here’s where I’ll be!

I had a blast at last year’s Phoenix Comicon, and I’m really looking forward to this year. I’ve got a lot of cool stuff going on, and if you’re going to be there, I hope you’ll get a chance to say hi.

Here’s my schedule of events for this year, which is also on my fancy-pants guest page. Chances are, I’ll have an ARC of MJ-12: Inception on me at any one of these, so keep an eye open for giveaways!

Panel/Event Schedule

Tonight, 7 p.m. — Elevengeddon at the Poisoned Pen in Scottsdale! I’ll be joined by something like 19 other authors for a mega-SF/F signing spectacle at one of the best independent bookstores in the country. Here’s the event listing and address. It’s the ultimate SF/F convergence. BE THERE.

Thursday, 1:30 p.m. — Trope Talks: Comedy Relief, North 128B. This panel will discuss the role of the comedic sidekick in stories, and how they’re more than just the funny guy in the room. With Scott Sigler and Yvonne Navarro.

Friday, 3 p.m —  Building a Believable World: The Deets, North 129A. Let’s drill down into worldbuilding with some pretty awesome authors, including Bradley Beaulieu, Brandon Sanderson, Dan Wells, Shannon Messenger and Victoria V.E. Schwab.

Friday, 6 p.m. — The Lighter Side of Sci-Fi, North 128A. Why so serious? This panel takes a look at more optimistic views of the genre. With Alexandra Olivia, Greg van Eekhout, Howard Tayler, Jody Lynn Nye and Suzanne Young.

Saturday, 10:30 a.m. — Crossing the Streams: Genre Splicing, North 128A. Obviously, this is kind of my sweet spot. Let’s put genres in a blender and see what happens. With Adam Christopher, Aprilynne Pike, Neo Edmund and Yvonne Navarro.

Saturday, 4 p.m. — Bioskeletons, Neurotransmitters, Synthesia: Medical Science in Sci-Fi, North 127C. Let’s talk about futuristic medicine in a panel organized by the fantastic folks at Geeky Giving!

Saturday, 6 p.m. — Drinks with Authors, North 120. Come see authors in their natural habitat, i.e. near the bar. This informal hangout is one of my favorite things, and there will be raffles to benefit Kids Need to Read. Come say hi, drink drinks and maybe win something — all for a great cause.

Sunday, 1:30 p.m. — World Building: Are We Still Talking About This? An interesting take on world-building with this panel; we’re being asked when it gets to be too much, or when it matters less. With Greg van Eekhout, John Peck/Jack Heckel and Sarah Remy.

Signing Schedule

And in addition to all these fun panels, I’ll be doing signings at the con as well. A bunch in fact. To wit:

Thursday, 3 p.m. — Signing Lounge, North 127AB. There’s a lounge? Are there drinks? I’m hanging out with Becky Chambers, Jamie Wyman, Jason Hough, Michael Kogge, Patrick Hemstreet, Sarah Remy and Yvonne Navarro.

Thursday, 6 p.m. — Exhibitor Hall Signing. There’s also the signings in the big hall, too. With Becky Chambers, Greg van Eekhout, Jason Hough, Michael Kogge, Patrick Hemstreet and Sarah Remy.

Friday, noon — Exhibitor Hall Signing. Once more, with feeling! With Alexandra Olivia, Austin Aslan, Michael Kogge and Shannon Messenger.

Friday, 4:30 p.m. — Signing Lounge, North 127AB. Lounging about, apparently, with Bradley Beaulieu, Brandon Sanderson, Dan Wells, Holly Jennings, Jason Hough, Michael Kogge, Shannon Messenger and Weston Ochse.

Saturday, noon — Signing Lounge, North 127AB. At this point, we’ll probably be crooning ’70s lounge music. And we’ll be doing it with Aprilynne Pike, Bradley Beaulieu, Christina Henry, Leanna Renee Hieber, Neo Edmund, Patrick Hemstreet, Sam Sykes, Sarah Remy and Victoria V.E. Schwab.

Saturday, 1:30 p.m. — Exhibitor Hall Signing. Really, you will not want for signing opportunities. With Alexandra Olivia, Neo Edmund and Jason Hough (who will likely be quite sick of me by this point).

Sunday, noon — Exhibitor Hall Signing. This will be your last chance to get something signed by me. Not that you haven’t had ample opportunity. With Alexandra Olivia, Alyssa Wong (whose short stories are amazing and wonderful), the incomparable Kevin Hearne and Patrick Hemstreet (who will also be sick of me by this point).

So yeah. Seriously, if you’re having trouble finding me, you’re obviously slacking something fierce.

You can also follow me on Twitter to see what I’m up to and, perchance, have another crack at free books. I’ll have the aforementioned MJ-12: Inception ARCs, but also a couple sets of the Daedalus trilogy to give away, and I’ll have a ton of bookmarkts for you too. Because I’m nice like that.

Hope to see you in Phoenix!

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