Category Archives: Writing

Yes, I actually read the reviews

TDI-mmpb-coverWhile on a panel with other authors at Phoenix Comicon, an audience member asked us whether we read the reviews of our works. At least half of the authors there said no. And I totally get that — kindness and constructive criticism is in short supply on the Internet. It can be hard to read how all your hard work resulted in someone despising the book.

I piped up and said yes, I do read reviews. I don’t really seek them out, but when they’re brought to my attention via Twitter or Google alerts, I’ll give ’em a read. I’ll also occasionally look at what folks are saying when I link to Goodreads or Amazon.

Am I a glutton for punishment? Maybe. But then, I’ve been writing professionally for 23 years now, in one form or another. I used to be a journalist, and I’ve been taken to task not only by editors, but by the people I wrote about. I’ve had to defend my work repeatedly. It tends to give one a thick skin.

Yes, I’ve received negative reviews. I’ve had my ability to form coherent sentences called into question. I’ve been accused of crimes against the English language. There have been a few folks who considered the publication of my fiction yet another indication of the death knell of my publisher, or even the entire publishing industry. There have been screeds.

And you know what? All right then. I hope the screed made the reviewer feel better. Catharsis is good.

I’m really, really fortunate that my works have been generally well received — 4 stars or better on Amazon, at least 3.5 or better on Goodreads, with 4- and 5-star ratings well outnumbering the 1- and 2-star reviews. I got a couple starred reviews from major publishing sites. At this point, I’m reasonably confident that I can write enjoyable fiction.

That said, I certainly notice common threads in reviews, and there have been some dings that I’ve no doubt earned. And that’s actually helpful — that’s something I can take away and learn from, and I have. That could be one of the reasons that The Venusian Gambit was the best reviewed book in the Daedalus trilogy, and that early word on MJ-12: Inception has been really positive. I want to get better as a writer, and feedback helps.

I would never fault a fellow scribe for avoiding reviews. Folks aren’t kind sometimes, and having one’s parentage or even existence called into question ain’t a walk in the park. And some of those reviews are by no means reasonable or warranted — fellow beard-o Chuck Wendig was heartily thrashed in some quarters for Star Wars: Aftermath because folks were furious that the old Expanded Universe novels were consigned to non-canon status. It’s not like Chuck forced Disney to do that, y’all. (I shudder to think of what he would actually do with that kind of power.)

He was also ripped into for introducing a gay character into Star Wars, which the worst sort of mean-spirited, specious criticism. It’s 2016, people. Honestly, it’s about time we saw LGBTQ+ folks represented in popular fiction, and I’m proud to call the guy who brought the rainbow to a Galaxy Far Far Away a friend.

Anyway, I digress. I read the reviews, good or bad. The good ones are a nice little ego boost, and give me a nice hit of writer fuel to tackle the next book. The bad ones? Eh. I’ve had Steve Ballmer, the former CEO of Microsoft, rant at me over something or other — and he was six inches from my face. And he was eating at the time. If I could stand my ground then — and I did — I’m pretty OK with someone not liking my books.

And speaking of reviews: I saw a couple that were pretty nifty keen. Rob Bedford reviewed The Enceladus Crisis over at SFFWorld and had some really nice things to say about it. And a fine person named Magilla Gurilla (how awesome is that nom du plume?) over at The Veteran Gamer “absolutely recommended” The Daedalus Incident. Glad you folks liked the books. And I’m glad I read your reviews!

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Interrogate your worldbuilding

roomSounds kinda cool, doesn’t it?

SCENE: The precinct downtown. A gray room with bare walls, a metal table, two uncomfortable chairs, a single bulb dangling from the ceiling. A detective paces the room in a suit stained with coffee and despair. He suddenly wheels on your worldbuilding and slams his hands on the table. “TALK! Or it’s the chair for you!”

Actually, I’d read the heck out of that. *makes note to self*

Sadly, this isn’t what I mean by “interrogate your worldbuilding.” I was on a couple of worldbuilding panels last weekend at Phoenix Comicon, and I briefly touched on this concept. So I want to sit down and work through it a bit better.

No interrogation room, though. Go sit on the couch and grab some tea or wine or something. This should be mostly painless. Ready? Let’s go. (Warning: There are mild spoilers ahead for MJ-12: Inception.)

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The post-Phoenix Comicon post

Short version: That was incredibly super fun. Will repeat.

But hey, I think we can do better, right?

Phoenix Comicon has one of the best author/books tracks of any major convention I’ve been to. So what makes it the best, you ask? For one, there are a ton of great authors writing a dizzying array of diverse works. Two, the topics of the panels are usually pretty interesting and thought-provoking. Third, the con puts our books on sale right next door to the panels, and the marketer in me loves that impulse-buy opportunity.

But mostly, it’s the fans. The folks in the audience at all of my panels were super-smart and incredibly engaged. Their questions were thoughtful and really kept us all on our toes. The resulting conversations were informative to me, and I hope they were to everyone who came.

The fans are the biggest reason I go, and y’all are really generous with your time and encouragement of my work, and I try to do the same with whatever you got going on, too. For the first time, I had someone in the audience at a panel actually reference parts of my books as an example that I didn’t even think of — and I didn’t even know who he was, let alone did I bribe him. So that was lovely.

And now some more highlights in now particular order!

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It’s time for Phoenix Comicon! Here’s where I’ll be!

I had a blast at last year’s Phoenix Comicon, and I’m really looking forward to this year. I’ve got a lot of cool stuff going on, and if you’re going to be there, I hope you’ll get a chance to say hi.

Here’s my schedule of events for this year, which is also on my fancy-pants guest page. Chances are, I’ll have an ARC of MJ-12: Inception on me at any one of these, so keep an eye open for giveaways!

Panel/Event Schedule

Tonight, 7 p.m. — Elevengeddon at the Poisoned Pen in Scottsdale! I’ll be joined by something like 19 other authors for a mega-SF/F signing spectacle at one of the best independent bookstores in the country. Here’s the event listing and address. It’s the ultimate SF/F convergence. BE THERE.

Thursday, 1:30 p.m. — Trope Talks: Comedy Relief, North 128B. This panel will discuss the role of the comedic sidekick in stories, and how they’re more than just the funny guy in the room. With Scott Sigler and Yvonne Navarro.

Friday, 3 p.m —  Building a Believable World: The Deets, North 129A. Let’s drill down into worldbuilding with some pretty awesome authors, including Bradley Beaulieu, Brandon Sanderson, Dan Wells, Shannon Messenger and Victoria V.E. Schwab.

Friday, 6 p.m. — The Lighter Side of Sci-Fi, North 128A. Why so serious? This panel takes a look at more optimistic views of the genre. With Alexandra Olivia, Greg van Eekhout, Howard Tayler, Jody Lynn Nye and Suzanne Young.

Saturday, 10:30 a.m. — Crossing the Streams: Genre Splicing, North 128A. Obviously, this is kind of my sweet spot. Let’s put genres in a blender and see what happens. With Adam Christopher, Aprilynne Pike, Neo Edmund and Yvonne Navarro.

Saturday, 4 p.m. — Bioskeletons, Neurotransmitters, Synthesia: Medical Science in Sci-Fi, North 127C. Let’s talk about futuristic medicine in a panel organized by the fantastic folks at Geeky Giving!

Saturday, 6 p.m. — Drinks with Authors, North 120. Come see authors in their natural habitat, i.e. near the bar. This informal hangout is one of my favorite things, and there will be raffles to benefit Kids Need to Read. Come say hi, drink drinks and maybe win something — all for a great cause.

Sunday, 1:30 p.m. — World Building: Are We Still Talking About This? An interesting take on world-building with this panel; we’re being asked when it gets to be too much, or when it matters less. With Greg van Eekhout, John Peck/Jack Heckel and Sarah Remy.

Signing Schedule

And in addition to all these fun panels, I’ll be doing signings at the con as well. A bunch in fact. To wit:

Thursday, 3 p.m. — Signing Lounge, North 127AB. There’s a lounge? Are there drinks? I’m hanging out with Becky Chambers, Jamie Wyman, Jason Hough, Michael Kogge, Patrick Hemstreet, Sarah Remy and Yvonne Navarro.

Thursday, 6 p.m. — Exhibitor Hall Signing. There’s also the signings in the big hall, too. With Becky Chambers, Greg van Eekhout, Jason Hough, Michael Kogge, Patrick Hemstreet and Sarah Remy.

Friday, noon — Exhibitor Hall Signing. Once more, with feeling! With Alexandra Olivia, Austin Aslan, Michael Kogge and Shannon Messenger.

Friday, 4:30 p.m. — Signing Lounge, North 127AB. Lounging about, apparently, with Bradley Beaulieu, Brandon Sanderson, Dan Wells, Holly Jennings, Jason Hough, Michael Kogge, Shannon Messenger and Weston Ochse.

Saturday, noon — Signing Lounge, North 127AB. At this point, we’ll probably be crooning ’70s lounge music. And we’ll be doing it with Aprilynne Pike, Bradley Beaulieu, Christina Henry, Leanna Renee Hieber, Neo Edmund, Patrick Hemstreet, Sam Sykes, Sarah Remy and Victoria V.E. Schwab.

Saturday, 1:30 p.m. — Exhibitor Hall Signing. Really, you will not want for signing opportunities. With Alexandra Olivia, Neo Edmund and Jason Hough (who will likely be quite sick of me by this point).

Sunday, noon — Exhibitor Hall Signing. This will be your last chance to get something signed by me. Not that you haven’t had ample opportunity. With Alexandra Olivia, Alyssa Wong (whose short stories are amazing and wonderful), the incomparable Kevin Hearne and Patrick Hemstreet (who will also be sick of me by this point).

So yeah. Seriously, if you’re having trouble finding me, you’re obviously slacking something fierce.

You can also follow me on Twitter to see what I’m up to and, perchance, have another crack at free books. I’ll have the aforementioned MJ-12: Inception ARCs, but also a couple sets of the Daedalus trilogy to give away, and I’ll have a ton of bookmarkts for you too. Because I’m nice like that.

Hope to see you in Phoenix!

#SFWApro

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Who are you writing for?

TDI-mmpb-coverWhen The Daedalus Incident was being prepped for release in early 2013, there was some confusion as to where it should be shelved within the multitude of sub-genres of science fiction and fantasy. It certainly has some steampunk elements to it, though there’s a very evident lack of steam. Historical fantasy? Sure, though there’s no over “magic” in it. Space opera? Certainly possible, though the 22nd century stuff was distinctly science-based.

When I was writing it, I didn’t care. I knew what I wanted to do, and I did it. The result borrowed from several subgenres (hard SF, military SF, historical fantasy, space opera, steampunk…to name a few) and, I’d like to think, resulted in something greater than the sum of the parts.

Had I thought more about the book-buying marketplace, I might’ve slimmed it down somewhat. Indeed, one potential publisher back in 2012 had thought that cutting the 22nd century stuff altogether might make it more marketable. I tried it, edited it down and it was OK, but I’m glad it didn’t happen in the end. The Daedalus Incident and its sequels are exactly the stories I wanted to tell.

Publishers tend to think in taglines — “police procedural with zombies,” for example, or “Heinlein-esque military SF with humor.” Even the forthcoming MAJESTIC-12 series can be summed up with “paranormal Cold War spy thrillers” or “X-Men meets James Bond.” But the Daedalus trilogy really didn’t lend itself well to that kind of summation. Even my standard go-to tagline, “Napoleonic Era space opera,” only captures half of the equation.

The other side of this is the “what’s hot” trend. Dystopian YA? Thanks, Hunger Games. It’s practically its own subgenre. Vampires are so over, though urban fantasy still has a plethora of mythic beasties and monsters wandering the darkened streets of the 21st century. Steampunk marches on, dominating the alt-history section of the bookstore. Some publishers are looking for the next big space opera, or grimdark fantasy like Game of Thrones, or near-future cyber-thriller.

What’s a writer to do?

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Interior book design matters a lot

MJ12_FinalI’ve raved a few times on Twitter about the interior design of MJ-12: Inception, but I think it deserves an entire blog post — if only to highlight the immense amount of work that goes into publishing a book.

I think page design is very underrated. Yes, we all go crazy for covers, because covers are essentially the best advertisement a book can have. But the interior design really can have an impact on the reading experience. Most of the time, that’s subtle — chapter headings, font choices, etc. Occasionally, it can drastically affect how the story is consumed.

MJ-12: Inception boasts a number of “found” documents. These are teletypes, memos, transcripts, etc., that serve to deepen the story and, let’s face it, put a really interesting gloss on what might other be some inefficient or difficult exposition. These aren’t found by the characters in the book — they’re written by those characters, among others. I wanted the reader to feel like they’re in the middle of the espionage game, secret documents included.

This is a document in the book — but Night Shade didn’t create it. It’s the “official” MAJESTIC-12 authorization memo from Harry S. Truman himself. I put “official” in quotes because, despite what certain corners of the Internet believe, the MAJESTIC-12 conspiracy theory remains as fictional as MJ-12: Inception, and this is widely considered to be fake. Anyway, here it is:  Continue reading

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Sail on! The Enceladus Crisis launches today in paperback!

Very, very excited to see The Enceladus Crisis out there in paperback today. And as is my tradition, I stopped by the local Barnes & Noble in Hackensack, N.J., to sign copies. They now have both The Daedalus Incident and The Enceladus Crisis in stock, and signed!

enceladus-launchday

In addition to detailing the ongoing adventures of now-Captain Thomas Weatherby in 1798, and now-Lt. Cmdr. Shaila Jain in 2134, the paperback edition also has a brand-new, never-before-seen excerpt of MJ-12: Inception in the back. This one followed U.S. Navy Lt. Danny Wallace as he explores the stark, horrible destruction of Hiroshma after World War II. And he finds something utterly surreal there.

Here’s a peek at the first page.

enceladus-excerpt

The third book of the Daedalus trilogy, The Venusian Gambit, is set to go July 5. And yes, you’ll get another excerpt there as well. MJ-12: Inception is due out in hardcover from Night Shade Books on September 6. If you’re attending Phoenix Comicon, I’ll have some advance copies to give away, so come say hi!

My thanks, as always, goes out to the fine folks at Night Shade Books for continuing to support the Daedalus trilogy with these new releases, as well as to super-agent Sara Megibow and all the folks who have read and enjoyed these books. You all rock!

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A care package from Night Shade Books

The whole notion of having a book come out only really solidifies when I get the first copies. Until then, it’s almost an intellectual exercise, largely conducted via Word files and e-mail. At first, it’s just a story. Then it gets a cover, and interior design, and finally printed copies. A slow evolution from the imagination to reality.

And MJ-12: Inception just got real, y’all.

Two of these are already gone — one to a contest winner, another for the Con or Bust auctions that start later this month. Some will certainly come with me to Phoenix Comicon, which kicks off June 1. I’ll certainly keep one for myself, at least until the final hardcovers arrive some time in August.

There are more of these out there, of course. The folks attending the Nebula Awards in Chicago this coming weekend may find a copy in their swag bags. Some of my fellow authors will be getting them sent directly, either out of general courtesy or specific requests for blurbs. And the major media outlets also get a copy in that never-ending windmill-tilt that is mainstream media outreach.

I have ebook files as well; if you’re a reviewer and you’ve not heard from either myself or Night Shade Books lately, then by all means reach out. It’s also up over at Edelweiss, the book-reviewer storehouse of awesomeness.

Of course, there’ll be a lot more happening as we get closer to the September 6 release date. But now that these have arrived at the homestead, the writing of this book is very much done. Now we’ll be focusing on letting the world know it exists.

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And now SF Signal’s watch is ended

I had been a published author for a grand total of three weeks when I attended my first con — WorldCon in San Antonio in 2013. And for the better part of two days, I carried with me a Ziploc baggie with bagels in it.

Why? Because John DeNardo, who runs SF Signal, is well-known for his love of toroidal bread products, and any other bagel west of New Jersey pales in comparison to the real thing. It seemed only fitting that I would help him rediscover the joys of the One True Bagel, especially given the support SF Signal had given my burgeoning authorial career.

See, it’s hard out there for a debut author — and it was a particularly interesting debut for me. Night Shade Books nearly folded before The Daedalus Incident came out, and then was sold to Skyhorse Publishing. The book was delayed about three months, though I will say that going from just-another-debut at a struggling publisher to the lead title of a new imprint ultimately was a step up.

Throughout all that, SF Signal was stalwart in its support. Paul Weimer’s review of Daedalus was one of the very first out there, and his positive take made me think that, yes, this whole novelist thing could work. And pretty much any time I asked for something, John was not just agreeable, he was enthusiastic. Guest posts, interviews, cover reveals and enough mind melds to crowd out the voices already in my head…SF Signal was awesome.

Hence the bagels. It was my little way of saying thanks.

All this”was” feels positively funereal, but alas, SF Signal is heading off into the digital sunset. You can read John’s farewell here, which naturally references The Lord of the Rings and the last episode of Star Trek: The Next Generation in the first 50 words (and The Hitchhiker’s Guide to the Galaxy in the teaser text). I completely understand the reasoning here — running a site the size and scope of SF Signal had to be a massive undertaking, and things like jobs and families are important.

So let’s not make it so dour. The site had an incredible run, picked up a bunch of Hugos, helped hundreds of authors introduce their work to thousands of fans, and kept the focus squarely on the books and the geek stuff, all with humor and good grace. I’m not only appreciative of the boost SF Signal gave my work, but of everything it did to keep fans informed and entertained for more than 12 years.

My thanks to all the contributors — Paul Weimer, Rob Bedford, Patrick Hester, John Anealio, Regan Wolfrom, and so many others. Even if I never worked with you, I always enjoyed reading your stuff. I hope all the contributors continue to write and produce thoughtful reviews and essays for many years to come.

And to John, the very heart and soul of the site, thank you for giving me bits of your digital real estate. Thanks for letting me reach out to your readers. Thanks for the reviews and all the support. And finally, thanks for putting together a site I read and loved not only as an author, but as a fan.

Next time I see you, whenever that is, I’ll bring you more bagels.

#SFWApro

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The Enceladus Crisis comes out in paperback May 10!

TEC-cover-mmpgApril’s been a very busy month, and I haven’t given the blog it’s due. And I’ve been remiss in mentioning that The Enceladus Crisis will be released in mass-market paperback on May 10, which is super exciting for me and, hopefully, a new opportunity for readers to explore the Daedalus trilogy.

The Enceladus Crisis picks up where The Daedalus Incident left off — two years after the strange quakes on Mars that plagued our heroes in the 22nd century, and nearly twenty years after a young Lt. Thomas Weatherby unraveled the mysteries of Cagliostro’s insidious plot. There’s more twists and turns in this one, new and exotic locations, and the peril — oh, the peril! It’s not an easy time for anyone in this book.

The paperback release, in addition to being easier to carry around and cheaper (ebook prices have already started to come down), also includes a new excerpt from MJ-12: Inception, the first book in the MAJESTIC-12 series of paranormal Cold War spy thrillers out in hardcover this September.

The first excerpt, in The Daedalus Incident paperback, introduced readers to a young Army officer named Frank Lodge as he navigated a particularly harrowing situation in Berlin in the aftermath of World War II. The excerpt in Enceladus introduces Danny Wallace, a Navy man investigating something very unusual in Hiroshima three months after the city was leveled by the world’s first atomic weapon.

And yes, there will be a third, all-new excerpt of MJ-12: Inception released with The Venusian Gambit paperback in July.

I’m quite excited and very gratified at how The Daedalus Incident sold in paperback — thank you, readers! And the support the series has been getting on social media has been pretty awesome. I don’t have plans to run a contest for The Enceladus Crisis at the moment — there’s been too much other stuff to do — but any shout-outs on social media, and any reviews you care to place on Amazon, B&N, Goodreads and the like, is greatly appreciated.

MJ12_FinalAs for other things, I’m busy preparing to draft MJ-12: Shadows (working title), the second MAJESTIC-12 novel. It was a tougher nut to crack since the world of the Variants has expanded quite a bit, but I worked through a bunch of stuff this month and have the whole thing mapped out, as is my wont before I start the actual writing. It feels like I’m a bit behind in the process, likely because I’ve been busy with day-job things, but when I look at the calendar, I feel quite good about where I am.

Advance reader copies (ARCs) of MJ-12: Inception have been printed, and I’m eagerly awaiting my stash. The cover is beautiful, and the interior design is absolutely gorgeous. (I may have mentioned that before, but it bears repeating. Gorgeous.) I’ll also be getting digital ARCs soon for reviewers and the like. It’s a real thing that’s happening, and I’m pretty stoked.

I’m also getting excited for Phoenix Comicon during the first weekend of June. Not 100% sure on panels yet, though I know I’m doing something with Geeky Giving as well as a panel on humorous sidekicks, plus there’s the Elevengeddon signing at the Poisoned Pen and the Drinks with Authors charity thing. I’m bringing some MJ-12: Inception ARCs as well — if you’re going, watch my Twitter feed carefully if you want one.

So that’s what I got going on. I promise to be far more entertaining on the blog in May.

#SFWApro

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