Category Archives: Writing

A deleted scene from The Daedalus Incident

TDI-bigcoverThe Daedalus Incident went through a fair number of drafts and permutations before it became the novel that’s on bookshelves now. Whole strands of plot were upended, characters changed substantially, you name it. And there were a few scenes that simply didn’t make the cut, like this one.

I was bummed to drop this scene because it was a cool bonding moment between the protagonist, Shaila Jain, and her boss, Maria Diaz. It showed their growing chemistry and gave a peek into their characters. It foreshadowed a bit more about Jain’s first mission, the ill-fated Atlantis, and how it might affect her reactions while it was hitting the fan at McAuliffe Base. And there were some nice Martian setting elements there.

And yet…ultimately, the scene didn’t carry enough water to move the plot forward, which is pretty much a cardinal sin of storytelling. It felt like it arrested the momentum of the story, and there were other ways of building character and relationships and backstory without that kind of pause in plot. Plus, the point-of-view here is that of Diaz, and this was the only time that happened in the entire book. (I basically stuck with Shaila’s POV in the future sections and Weatherby’s in the past.)

Looking back on this section, I do think it holds up decently, and could probably be inserted into the book without a major hiccup if you can forgive the shifting POV. Of course, reading this again more than three years after writing it, I can see how I’ve improved since and how that affected my approach to The Enceladus Crisis. (While Enceladus was revised thoroughly, I don’t have any full scenes that I tossed in their entirety. Progress? I’d like to think so.)

So here you are, a deleted scene, just like in a DVD. Except it’s a book. Enjoy.

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A member of SFWA for another year

SFWAlogoYesterday, I ponied up another year’s dues and renewed my membership with The Science Fiction and Fantasy Writers of America. And I was happy to do so. I find a lot of value in the organization, and for the most part, I find my fellow members to be among the best sort of people.

That’s not to say SFWA is one big happy family. Like any organization that includes a broad array of personalities, beliefs and identities, SFWA has had its share of controversy. I’ve no desire to get into the details here, except to say that I believe that the vast majority of the stuff you may have heard about are the actions of a very few people who seem to think that being on the Internet, or even simply being a writer, absolves them from the need for basic decency and civility. (It doesn’t, by the way.)

The vast majority of folks in SFWA are good people and good writers who want to broaden the reach of the genres and protect the interests of authors. These are very worthy pursuits, and that’s why I support SFWA with my membership and involvement.

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Hello, new blog followers! Here’s what you got yourself into.

Last week, I got an e-mail from one of the editors at WordPress saying that a recent post about publishing was selected to be “Freshly Pressed.” Nice to be recognized for producing any sort of quasi-useful writing, though I had to actually look up what Freshly Pressed was, since I don’t really explore my WordPress Reader as much as I could. But hey, it seemed like a nice thing.

Then boom. Hello, several hundred visitors. And a heap of new blog followers. So that‘s what Freshly Pressed is and does. All right then.

I’m very happy that this particular post was well received, and doubly so that the comments have been respectful and encouraging, no matter where you fall on the self-publish/traditional publishing argument. Civility on the Internet…who knew?

Anyway, I thought I’d take a moment to say hi to the new followers and introduce myself. Continue reading

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The brilliance of mashups: A conversation with Eleri Stone

It’s always great to talk shop with another writer, so when super-agent Sara Megibow asked me to have an in-print conversation with fellow novelist Eleri Stone about genre mashups for the Nelson Agency newsletter, I couldn’t resist.

Eleri is the author of Reaper’s Touch, a Wild West-meets-zombies novel that just came out last month. We had a great conversation about what works and what doesn’t when it comes to genre mashups, just how much fun it can be to create books that aren’t neatly shelved in a single category. The conversation hit the agency newsletter today, and I’m reprinting it here as well. Enjoy!

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Publishers Weekly says nice things about The Enceladus Crisis

A pleasant surprise: Publishers Weekly reviewed The Enceladus Crisis today, had had some great things to say about it. I didn’t expect them to chime in because they didn’t review The Daedalus Incident, likely due to the publishing mess surrounding it last year. (A mess, I should add, that’s cleared up very nicely.)

In any event, PW called Enceladus “riveting” and “a uniquely imaginative science fantasy tale,” which is perfectly awesome in my book. They also dinged me on a few things, but overall, I seriously cannot — and will not! — complain one whit. That’s their job, after all. And heck, it’s a positive review. I’ll take it!

Check out the whole review here!

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First review of The Enceladus Crisis at SFSignal

The Enceladus Crisis is still more than two months away, but reviewers are already reading it — and the first review came out today from the Hugo Award-winning awesomeness that is SFSignal.

And, as you may have surmised, I’m quite happy to report it’s a good one. In his four-out-of-five-star review, Paul “PrinceJvstin” Weimer writes:

The followup to Martinez’s debut novel The Daedalus Incident builds on the strengths of the first novel and shores up its weaknesses…the sequel continues the first novel’s mix of alchemy, intrigue, mystery, science fiction and high adventure into an entertaining package. Mike Martinez’s The Enceladus Crisis avoids some of the pitfalls that many second novels face by trying some new things, and giving us some new facets of his interesting universe.

Since Paul has given both my books good reviews (his review of Daedalus is here), I may be a little biased, but I genuinely think he’s an excellent reviewer. His knowledge of the genre is impressive, and his criticism is thoughtful and on point. Many thanks, Paul, for all your hard work.

As a reminder, The Enceladus Crisis is out in print, e-book and audiobook on May 6. You can pre-order your print copies on Amazon and Barnes & Noble, or go to IndieBound and order from your local bookseller. Not sure if we’re getting e-book or audiobook pre-orders or not, but I’ll keep you posted here. You can also add the book on Goodreads, too.

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Today, I am a Functional Nerd

Actually, I’m pretty much functional most days. Except when there’s no coffee, at which point I’m reduced to a mind-blanked automaton.

No, today I am a guest on the fantastic Functional Nerds podcast, ably hosted by Patrick Hester and John Anealio. We talk SF/F conventions, the Sierra Nevada Dream Chaser project, Patrick’s newfound love of iTunes smart playlists, and my own recent discovery of Untappd, the beer drinker’s social network. (Here’s my page in case you want to follow along.)

Oh, and I talk a bit about writing and stuff. I had a great time recording it, so please do give it a listen. The Functional Nerds podcast page is here, and you can download the podcast via your favorite podcast downloading…thing.

My thanks to John and Patrick for a great podcast!

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New excerpt from The Daedalus Incident in the 2014 Campbellian Anthology

I’ve been remiss in mentioning this here, so it’s high time I correct it. I’m quite happy to report that a new excerpt from The Daedalus Incident is included in the 2014 Campbellian Anthology, assembled by M. David Blake and published by Rampant Loon Media. 

This massive anthology includes literally dozens of short stories and excerpts from longer works, all written by folks like me who are eligible for the 2014 John W. Campbell Award for Best New Writer, to be presented alongside the Hugo Awards at this year’s WorldCon in London.

And the anthology is free. As in, zero cost, go and download and enjoy. You get the work of 111 new, up-and-coming authors to peruse, all for the price of belly-button lint. How can you not love that?

The idea, of course, is to help WorldCon voters make informed decisions with regard to the Campbell awards. It’s hard to check out every story, every novel that was written by the newbies in any given year, so this is a great chance for fans to get caught up on who’s done what.

To be eligible to nominate works and vote on the Campbell award, as well as the Hugos, you need to be an attendee or supporter of the 2013 WorldCon in San Antonio, the next WorldCon in London and/or the 2015 WorldCon in Spokane. You don’t have to actually go, of course — you can buy relatively inexpensive supporting memberships that allow you to vote on the awards. (And as a WorldCon member, I can tell you that you also get a nice bundle of the Hugo- and Campbell-nominated works to read as part of that membership. In other words, it pays for itself.)

The anthology is available for download in DRM-free .mobi or ePub formats at the Stupefying Stories site. Again, it’s free. And if you have a WorldCon membership, the Hugo and Campbell nomination instructions are online at LonCon3’s site. You have until March 31 to get nominations in.

Did I mention the anthology is free? Even if you’re not a WorldCon member, it’s still free. Seriously, it’s chock full of awesome. Go download! And a big thanks to David, Rampant Loon and Stupefying Stories for making it all possible.

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The Enceladus Crisis heading out to reviewers

Given that The Enceladus Crisis is just my second novel, it might not be accurate to say that it’s always a little daunting to send out those first books to reviewers. But it sure feels like it.

Print previews of the new book in the Daedalus series have been mailed, and I’ve begun sending out electronic files to reviewers. I’m excited about the direction the new book takes in the evolution of the Known Worlds, and I think it’s a pretty good read. (I also had a pair of beta readers concur on this, so that’s comforting.)

But sure, it’s a little daunting to hold up your work and say, “OK, gang. JUDGE ME.” I suppose that’s normal and probably healthy. If I think I’ve actually written the Great American SF/F Novel, then chances are I probably haven’t.

By the way, I’m still sending those electronic files out, so if you haven’t gotten one yet and you want to review it — and, admittedly, you have something of an audience on your blog or site or publication — do let me know and I’ll get one out to you. Bear in mind that it’s a preview version; there are still copyedits to come!

The cover also looks very different from the placeholder you see on this page. We’re still finalizing the details, but the art is just fantastic. I’ll have more on the image and the artist as we get closer to the book’s May 6 launch.

While you wait for the new book to come out, it’s worth noting that the Audible audiobook version of my novella, The Gravity of the Affair, comes out this Friday. And it’s cheap, too — just $2.99! You can pre-order it here. And the ebook version is already available wherever fine ebooks are sold.

On another note, I’m excited to see that reviews for The Daedalus Incident are still trickling in. Caleb Flanagan of the site 20four12 listed Daedalus as one of his top-ten reads of the year, and now follows that up with a full review:

“Is The Daedalus Incident doing something new and different? Yes, I very much think it is. It’s a well-crafted blend of fantasy and science fiction that roars through the pages and keeps you gripped until the very end.”

Click here for the entire review. Thanks, Caleb!

Finally, if you want a shot at winning signed copies of both Daedalus and Enceladus, then it would be really awesome if you supported my 5k run fundraiser for African elephants. Everyone who donates $10 will be entered to win both books. It’s a good cause, and there’s good karma for you. Plus books. And I’ll be sweating it out for a half-hour, which has it’s own entertainment value. So go for it!

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Steampunk without steam? It’s possible.

A lot of folks have said The Daedalus Incident has a very steampunk vibe — even though there’s no steam to be found, and it’s set several decades before most traditional steampunk stories.

That got BuzzFeed’s Sean Fagan thinking: Can you have steampunk without the steam? Today on BuzzFeed, I answered in the affirmative.

There’s a certain zeitgeist to steampunk stories, even if there’s no actual steam-powered contraptions to be had, and I detailed ten of them up at BuzzFeed. Check out the story and let me know what you think!

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