Category Archives: Writing

Thinking about how to define authorial success

What makes a book successful? What makes an author successful? What makes some books and/or authors more successful than others? All fair questions. I saw some discussion of this among my colleagues and friends on Twitter this past week, prompted by these thoughts from the amazingly talented Delilah S. Dawson. and it gave me some things to think about.

My first novel came out in 2013 — just three short years ago! I started writing it in 2010, got my agent in 2011, and nabbed a book deal in 2012. So I’ve been at it for six years now, and a published author for just half that time. My fourth book comes out Sept. 6 in hardcover.

Have I been successful? Abso-freakin-lutely. But that’s in terms of my vision of success. And I think it’s important to define your own measures for success going in — and to keep them realistic.

(This is a long-ish post. Get comfy. Go grab a beverage if you like. I’ll be here.)

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The secret to improving writing: Just write

I was asked by a colleague today about advice for improving one’s writing, which is lovely even though it makes me feel a tad old. (That latter bit could be because I just got a haircut and all the gray is standing out now. All. The. Gray.) Anyway, the person doing the asking had a rough time with writing in college, thanks to a horribly demeaning professor, but really wanted to improve her writing regardless.

First off, props to her for taking another stab at it. It’s not easy.

I keep a binder in my office with the very first draft of The Daedalus Incident inside it, the text covered in red-pen edits. This draft, as seen here, represents maybe 60% of the concepts that ultimately became the finished product, but perhaps only 20% of the words, tops.

Why? Because that first draft was bad, man. So very not good. It had all the hubris that pushed me to write a novel, but very little of the craft that I developed over the course of multiple revisions, and none of the lessons learned from my agent and editor.

I keep it on the shelf to remind me that I’ve come a long way as a novelist, and also to keep me humble and striving to do better with each successive work. And I showed it to my colleague as a case study in how one can suck at first, and improve.

The key to improvement? Write. Write more. Then write a bunch more. Revise. Write again. And write some more. Go get some coffee. Then finally, write another thing. And revise it.

Yes, of course, classes and workshopping and reading all can contribute to improvement. But all that learning still has to be applied. And you do that by writing.

That said, I did recommend that my colleague go get her Master’s degree from her mother’s house, frame it, and keep it handy to remind her that, yes, she’s already written something truly worthy of accolade. (Heck, I don’t have a Master’s degree! That takes work!) It’s good to remember the good with the bad. Many of us tend to emphasize the criticism and minimize the success — try really hard not to do that if you can.

It’s hard if you’ve been told that your writing stinks. Getting over something like that takes guts. And even when you’ve had success, your writing will still have its critics. But the only way through that is…straight through it. Sit down, open a Word file, and go to town.

You totally got this.

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First review! Fantasy Faction says super nice things about MJ-12: Inception

They say never read the reviews, but this one was an absolute joy to read. Fantasy Faction’s Dan Hanks reviewed MJ-12: Inception and really quite liked it. A snippet for you:

MJ-12: Inception is Michael J. Martinez doing what he does best: taking a selection of great genres and mashing them up into something fresh and exciting, and quite unlike anything you’ve read before. We’ve shades of mystery and the paranormal, superheroes living in an alternate (or hidden) history, Cold War paranoia, and thrilling espionage—all set against a realistically drawn backdrop of a little explored (but key) time in our global history.

Dan has long  been a fan of my work, but it’s nice to know that the new spy-fi series — a departure, as he notes, from my Daedalus books — was still well received. Combined with the really cool things my fellow scribes said about it, I’m starting to think this is indeed a pretty good book.

We’re still a good six-plus weeks away from release; MJ-12: Inception is due out in hardcover Sept. 6, though I believe there will be copies on sale at DragonCon for those going. If you’re not heading to Atlanta, of course, you can pre-order the book from AmazonBarnes & Noble, Books-A-Million, Mysterious GalaxyBorderlands Books, and/or through your local bookstore via Indie Bound. You can also pre-order your Kindle, Nook, Kobo and Apple iBook editions, too.

My thanks to Dan and the great folks at Fantasy Faction. You guys rock.

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Guest Post: Dr. Frederick Turner on his new, epic, apocalyptic poem

turnercoverYep, you read that correctly. Poem. Book-length, blank-verse iambic pentameter poem, now being serialized over at Baen.com. And it’s about an apocalypse brought about by global warming.

I know, right? I’ve read the first part — it’s being serialized until Sept. 15, when it then goes into e-book and print — and let me tell you. This is ballsy. This is beautiful. And it’s written by a gentleman who was first nominated for the Nobel Prize in Literature when I wall still writing stock market briefs for The Associated Press.

Dr. Frederick Turner is the Founders Professor of Literature and Creative Writing at the University of Texas at Dallas. He was raised by his parents in Zambia, where they were doing anthropological research. Educated at Oxford. Multiple awards and honors for his poetry and other works. Nominated for the Nobel in 2004, and again in 2006, and again every year since. 

We are totally classing up this blog, y’all.

Now, normally the guest post topic is along the lines of: “What makes your work so gosh darn special?” But I think an internationally renowned poet writing an epic climate-change apocalyptic book in blank-verse iambic pentameter answers that nicely. So I’m just going to let Dr. Turner have at it:  Continue reading

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The Venusian Gambit launches today in mass market paperback!

As is now tradition, I went to a bookstore — this time, the Barnes & Noble on 5th Avenue in Manhattan — to sign a new release: The Venusian Gambit, officially out today in mass-market paperback! Never really gets old to see one’s books in a store.

(In fact, there are signed copies of Gambit as well as The Daedalus Incident at that very store now, if you happen to be around midtown!)

The Venusian Gambit wraps up the Daedalus trilogy with an epic clash between the forces of the Martian warlord Althotas (and his dupe, Napoleon) and the combined efforts of now-Admiral Thomas Weatherby and Commander Shaila Jain. Plus, as you might discern from the cover, there are aliens and zombies and a mech.

You might also take note of the snippet of the starred review from Publishers Weekly, which was really very wonderful. It’s available now from Amazon, Barnes & Noble, IndieBound, Books-A-Million,Kobo, iTunes, and Google Play.

In addition to getting Gambit in a less expensive and cumbersome format, you’ll also get a brand-new excerpt from MJ-12: Inception in the back. This one deals with a young woman named Maggie Dubinsky, a former schoolteacher whose sudden Enhancement became far too burdensome to bear. Yet despite her fears and scars, the agents of MAJESTIC-12 have nonetheless sought her out for recruitment….

Very excited to see Gambit out in the wilds again, and doubly so for everyone to read just a bit more about MJ-12: Inception. The new paranormal Cold War spy series kicks off Sept. 6 in hardcover; you can pre-order it at  from AmazonBarnes & Noble, Books-A-Million, Mysterious GalaxyBorderlands Books, Apple iBookstore and/or through your local bookstore via Indie Bound.

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Advance praise for MJ-12: Inception

MJ12_FinalMJ-12: Inception is two months away from release, but as I mentioned before, we’ve kept busy with all kinds of behind-the-scenes work that goes into a book launch. And today, I get to show you some of the fruits of that work in the form of some really, really amazing advance praise for the book.

Seriously, you guys. Some of this stuff left me pretty speechless. Ready? Here we go:

“The Cold War becomes even more chilling as super-powered Americans are trained to become super-spies in Martinez’s new alternate-history thriller. It’s morally-complex, intense, and so steeped in the 1940s, you can smell the cigarette smoke.” —Beth Cato, author of Breath of Earth and The Clockwork Dagger

Beth Cato is an amazing writer and a lovely person besides, and her Breath of Earth was an absolute joy to read. She knows her historical fantasy and has the Nebula nomination to prove it.

X-Men meets Mission: Impossible. Martinez takes a concept as simple as ‘Super spies that are actually super’ and comes away with a hit. Filled with compelling, well-rounded characters, MJ-12 is my new favorite spy series.” —Michael R. Underwood, author of Geekomancy and the Genrenauts series

Mike Underwood knows a thing or two about mashing genres together. His Geekomancy was incredibly fun, and the Genrenauts series even more so. He also has fine taste in beer.

“A heady blend of super-spies and superpowers, MJ-12: Inception is Cold War-era science fiction done right. A taut thriller, and skillfully evocative.” —New York Times bestselling author Chris Roberson

I’ve not actually met Chris, but his Firewalk is a really cool mashup of police procedural and zombie outbreak. Plus, he co-created iZombie, which makes him inherently awesome.

So all three of those will be on the back cover of MJ-12: Inception, along with some snippets of reviews from a couple of major sites that I can’t talk about quite yet because I don’t want to steal their thunder. But we saved the following bit for the front cover:

“A smart look at a Cold War in many ways even colder and scarier and deadlier than the one we barely survived.” —New York Times bestselling author Harry Turtledove

Harry Turtledove, you guys! Harry is the absolute grandmaster of alternate history; from Guns of the South to his new Hot War  books, he’s created some of the best alt-history ever written. He’s also immensely gracious and kind, a true gentleman. I met him in San Antonio three years ago, and was just amazed at how friendly and approachable he was. I am deeply grateful for his kind words.

So there you have it. I’ve been floored by the response so far. MJ-12: Inception is definitely a departure from my Daedalus trilogy and this kind of reception is so very gratifying. My thanks to Beth, Mike, Chris and Harry for all their support; it means so much to have these great words coming from authors I respect and admire.

MJ-12: Inception comes out Sept. 6 and is available for pre-order from Amazon, Barnes & Noble, Books-A-Million, Mysterious Galaxy,Borderlands Books, and/or through your local bookstore via Indie Bound. You can also pre-order your Kindle, Nook and Apple iBook editions, too. Audio and other e-book offerings still to come!

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Advice for young and/or newbie writers

I’m no longer quite the definition of “young,” both in terms of years inhabiting this planet as well as in my writing career. The years, of course, are right there to be seen in the gray hairs on my chin. The writing thing was a bit more surprising to me — I’ve only been a published novelist since 2013, and really only started considering fiction writing as a thing since 2010.

But I’ve been a professional writer — i.e., making a living from word-slinging — since before I turned 21. Much of that was spent in journalism, and more lately in marketing communications. But words are words, and I’ve been paid to put them in an impactful order for quite some time.  So while the fiction stuff still feels new, the writing isn’t. (Plus, my fourth novel comes out in two months, so that newbie thing in novels is quickly becoming a thing of the past as well.)

This past weekend, I talked to some of the young writers at the Vermont Governor’s Institute on the Arts in beautiful Castleton, Vt. A week before that, I did a Skype thing with a class at the Duke University Young Writers’ Camp. I love doing stuff like this because the young people (I hesitate to call them “kids”) have such enthusiasm for writing, it’s infectious. They’re smart, committed and brimming with ideas, and how can you not love that?

So I fielded a lot of questions and tried super-hard not to crush any dreams. Because that’s really bad karma.

There’s one element to all those questions, however: It’s the “how do I do this” questions. Whether in general or specific to a given story, these young, talented writers want to know how it’s done — the implication being that there’s an easily digestible way to get from point-A to point-B.

Nope. There really isn’t.

If I had to boil down my advice from two-plus hours of talking to young writers, it would come down to two points:

You have to find your own path. I spent a lot of time talking about how I outline, how I view character and plot, how I mash genres together, how I got published. That’s great, and hopefully that left the young folks with some insights. But what worked for me might not work for them. So my advice on anything related to writing is this: If you have a process that’s working for you, then great. There’s no need to change it up just because some middle-aged writer guy (i.e. me, or anyone else really) does it differently.

And if you’re hitting the wall on something, then feel free to try what I do, or what someone else does. Experiment and play around with it. See what fits. Maybe it works, maybe it doesn’t, but you’ll know one way or the other. If you find something that really inspires you, run with it. if not, move on.

You are not writing your best writing yet. This is a bit meta and touchy-feely, but I genuinely believe it. I don’t care if you’re Stephen King or little old me, it holds true. You are not, and should not, be writing your best stuff. Your “best” stuff should be an aspiration, not something you can point to. Sure, “my best so far” is fine. I would hope that everything you write is the best so far — hopefully you’ve learned from past works and made stuff better. That’s how it should go.

But best? Nah. Honestly, you don’t get to decide which of your works was the best. That’ll happen when you’re dead and the critics look back on your accomplishments (if you’re fortunate). Right now, just keep trying to write your best work each and every time out of the gate. Make each story or novel or whatever your best so far. Always fight for more quality, more guts, more oomph.

And that’s it. I don’t care if you’re 17 or 77, both bits still apply. (I got my first book deal on my 40th birthday, so I’m not one to equate young with newbie.) Carve your own path, and try to improve each time you write. Of course, the devil’s in the details, which is why I take the time to answer individual questions and try to add perspective. But that’s pretty much what it all comes down to in the end.

So go forth, find your path, keep writing, and keep learning.

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Evil and how to write it

I’m spending the Fourth of July weekend up in Vermont again, because Vermont is kinda part of my soul and it’s always good to go back, plus I get to see my cousin and his lovely family. I also get to visit Phoenix Books, which is certainly the best bookstore in Burlington and, quite possibly, the whole state. So go check ’em out.

This year, I was invited to stop by the Vermont Governor’s Institute on the Arts to talk about writing with some of the high schoolers there. I’m a 1987 alumni of the GIA, and I got a lot of encouragement in my own writing from the late Keith Jennison, a fine gentleman and mentor. So it was an honor to come back as a successful writer and pay it forward.

The kids had a lot of really smart, thoughtful questions about writing, but one really stood out: A young lady was writing a character who was pretty much, straight-up evil, yet she also felt that another of her characters in her work-in-progress could maybe see some redeeming qualities in said evildoer. Her question was, in essence, how to make an evil character sympathetic.

I totally admired her ambition there, because I can tell you with great certainty that I wasn’t writing something that nuanced when I was 15. I answered her question as best I could, and I’m going to talk about it and play with it here.

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New short story: “See me”

There are days, more frequent lately, where I fear for the world. I’m worried about our inability to listen, to compromise, to accept others for who they are. Fear and anger lead to actions that go against our best values, our highest aspirations for ourselves. We are not the people we should be sometimes.

I could write a political rant about Brexit or Trump or whatever, but that’s really not my thing. So instead, I wrote this. In fact, I wrote it on my phone on the bus this morning and cleaned it up before I settled into my day’s work. It’s probably pretty rough; maybe it’s good, maybe not. But it reflects how I’m feeling about the future these days. I really hope I’m wrong, and I’m going to do everything I can to try to stop it from happening.

“See me”

See me, I plead silently as I walk, head bowed, down the streets that I can only borrow, where I cannot linger for fear of infraction.

But they won’t. The people who walk past, uniformly clean and glittering, their eyes swathed in augmented realities, they never see me. They don’t want to. They don’t have to.

This isn’t the future my grandparents signed up for. There are no flying cars. There are no robots doing all the hard work. There’s just me, and nobody sees me. The walls are too high.

There was the first wall. They said it would be big and beautiful, but it is ugly and cold and a death sentence for those who test it. They said it would keep us safe, stop bad people from coming into the country, restore our jobs and dignity. It didn’t.

So they built more walls.

At first they were physical. There were walls around housing developments and manicured lawns, guarded by well-paid men with guns. There were walls around schools and parks and playgrounds, ringed in protection for fear of gunmen and terrorists and criminals that the rich refused to legislate against for the common good. The walls were cheaper.

Other walls grew stronger and stronger. The walls around universities, made of tuition, climbed to the sky and promised only crushing debt. The walls around warehouses and factories, made of chain link and low wages, were designed to keep people like my parents there and working double shifts just to put food on the table. They talked of upward mobility and opportunity, but the walls around opportunity rose higher.

Then new walls were created, made of checkpoints and scanners and buttressed by the rights of free association and free speech. Rights morphed from freedoms to exclusions before anyone really noticed. Free association became the right to “be with your own kind” or live in “communities of shared values.” Free speech became denunciations and echo chambers that reverberated through lives and freedoms without cause or care.

The enclaves grew, common ground shrunk. As I walk to the drugstore where I work – 12 hours a day, six days a week, agreeing to “overtime” only because I could not eat without it – I must take a roundabout path. I ride a rickety subway, not the monorails in the sky. On the surface streets, my paths are determined by the enclaves where my metrics do not allow me to venture.

If I am lost in my thoughts and make a wrong turn, if I cross a checkpoint scanner into an enclave, the advertising screens on the street turn red. DO NOT APPROACH. INFRACTION PENDING. If I venture further, the private security guards are free to detain me, and the infractions whittle away what metrics I have to my name. I become less qualified to work and less free for infringing on someone’s right not to see me.

See me! my mind screams silently. They walk past.

It wasn’t always like this, even after the first walls were built and the borders “secured” against the nebulous others we were so afraid of. There were chances, even then. But they were squandered on posturing and face-offs and the inflow of money from the wealthy who feared sharing their table scraps. The Internet allowed us to look inward, to find like-minded people who agreed with whatever opinions we had. We didn’t need to come together, to compromise. We were all correct, in our bubbles. And those who could afford the strongest bubbles won.

Then the heads-up displays were introduced, replacing the smartphone in ubiquity. First in glasses, then in contact lenses. With a glance, we could see so much more about who we encountered, we could take their measure in numbers and metrics. And we could filter away those who weren’t like us – filtering humanity by race, religion, education, credit score.

We didn’t have to see those we didn’t want to see, live next to anyone we didn’t want to be there.

Meanwhile, the waves lap at the seawalls protecting our cities – more walls, more walls – because climate change was filtered out of our realities as well.

Slowly, inexorably, the very laws changed. The blessings of liberty, enshrined in the Constitution, were focused on “ourselves and our posterity,” excluding many – even those who were educated, paid taxes, whose citizenry went back a hundred years or more. Even the Declaration of Independence, wherein “all men are created equal” and “life, liberty and the pursuit of happiness” are promised to all, was relegated to a footnote in the textbooks, where evolution and scientific inquiry were likewise banished.

I am a third-generation American. I’m not religious anymore, because my family lost faith when my grandfather’s land of opportunity barred us from attending services. Not because the house of worship was closed – oh, no, that would’ve been unconstitutional. But because so many streets and neighborhoods were closed to us, it took two hours to get there. And the freedom of expression of others meant we had to walk past angry men with guns who were just waiting for the infraction they needed to have us arrested or, worse, to allow them to Stand Their Ground.

I don’t think God sees us anymore. Certainly, other people don’t. I am only the red warning sign in their graphical overlay, othered into a series of metrics and numbers in an augmented reality that ignores my own. And those of us who can actually get a second-hand, black market display can see just how inaccessible other people can be.

DO NOT APPROACH. INFRACTION PENDING.

This is the future. We share the same air and an ever-shrinking common ground. We build walls of brick and money and technology and “rights” and fear. Those who have enough of those things see only what they want to see, go only to the nice places, spend only what they absolutely must to get the things from the drugstore, where my interactions with them are carefully scripted and largely silent. They do not want to see me, and so they don’t. They don’t need to.

Will no one look past the walls? Will no one see me?

I’m here. I’m right here. See me.

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MJ-12: Inception on PW’s list of Fall 2016 titles; e-book pre-orders now available!

MJ12_FinalSo here’s a nifty little news item: MJ-12: Inception is on Publishers Weekly‘s list of Fall 2016 announcements for science fiction, fantasy and horror. There are, of course, hundreds of titles slated to be released this fall, but this particular list is pretty much just the lead titles and notables for each publishing house.

Needless to say, I’m quite happy to be there.

Also, it turns out that Night Shade Books is announcing a first printing of 20,000 copies which…whoa, boy, that’s a lot of copies. Honestly, it’s daunting as all get out, because that’s a whole lot of books with my name on them. But apparently, it also means that they’ve been doing a great job of wrangling initial orders from booksellers, too. So it’s also encouraging.

We’re lining up a lot of cool stuff for the weeks running up to the book’s Sept. 6 launch. There will be giveaways. I’ll be doing a number of cool things at DragonCon. There will be a launch-night reading somewhere completely awesome. And I know the good folks at Night Shade are working their tails off to line up even more. You can’t stop the signal.

If you’re so inclined, pre-orders are an excellent way to help boost the signal. If you’re likely to buy the book anyway — or just curious enough to part with a few bucks — I’d wholeheartedly encourage you to pre-order MJ-12: Inception from Amazon, Barnes & Noble, Books-A-Million, Mysterious Galaxy, Borderlands Books, and/or through your local bookstore via Indie Bound. You can also just ask; booksellers are awesome like that.

You can also preorder your Kindle, Nook and Apple iBook editions, too. As with most pre-orders, you can expect the prices to come down a bit as we get closer to launch, so don’t let the early sticker-shock stop you. Amazon, B&N and others will adjust your tab accordingly.

So why are pre-orders important? The more folks who chime in now with orders, the more booksellers are likely to stock up as the launch gets closer. And all those pre-orders count toward first-week sales, which further prompts booksellers to adjust inventories and promote the book more. (And yes, pre-orders also count toward the first-week sales used to calculate the bestseller lists, but…baby steps, man. That’s some cart-before-horse stuff right there.)

Long story short, if you like my books and/or want to check out MJ-12: Inception, then your pre-orders are greatly appreciated.

Finally, here’s another fun little tidbit. I was on a panel at Phoenix Comicon called “Trope Talk: Comedic Relief” with Scott Sigler and Yvonne Navarro — and thanks to Scott and his handy digital recorder, you can now listen in. Here’s the link. It’s like being there, but without the 117-degree temps outside. (And, sadly, without getting to see Scott’s dead-on impression of a dinosaur in the bar that evening. Alas.)  I’m slightly chagrined at all the “umm”s I have in there, but hopefully it’s not too egregious. Enjoy!

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